Ingmar Bergman may have meant the tank rumbling down the empty night street in The Silence as a phallic symbol. But if he did, it was a foolish thought. (“Never trust the teller, trust the tale,” said Lawrence.) Taken as a brute object, as an immediate sensory equivalent for the mysterious abrupt armored happenings going on inside the hotel, that sequence with the tank is the most striking moment in the film. Those who reach for a Freudian interpretation of the tank are only expressing their lack of response to what is there on the screen.
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摇滚精神的诠释通过中年危机的方式表达了出来因为想保持自我所以妻离子散丢掉一切的“老年”爱好只为可以参演young French guy的角色证明自己容颜不老最后整成了性转版芭比八块腹肌身材好到爆让老婆都对他另眼相看那导演也就是男主想表达在中年时期追求自我并成功了的案例还是痛斥中年人想要打破桎梏的愿景呢长篇连载没有看懂的地方